片名:《沒(méi)有和解》
類型:劇情片
上映時(shí)間:1965
上映地區(qū):其它
導(dǎo)演:讓-馬里·斯特勞布,達(dá)尼埃爾·于伊耶
主演:Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,達(dá)尼埃爾·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,
集數(shù): 更新至0集
語(yǔ)言:其它
劇情片《沒(méi)有和解》十分經(jīng)典,由【柏強(qiáng)影院】為您推薦分享.《沒(méi)有和解》上映于1965年,因?yàn)樯钍艽蠹覛g迎,評(píng)分高達(dá)6.0.《沒(méi)有和解》由著名導(dǎo)演讓-馬里·斯特勞布,達(dá)尼埃爾·于伊耶指導(dǎo)拍攝,《沒(méi)有和解》場(chǎng)面宏大劇情生動(dòng),《沒(méi)有和解》的人物性格豐滿非常有趣,《沒(méi)有和解》的演員:Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,達(dá)尼埃爾·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,表演到位,吸引了大批《沒(méi)有和解》的粉絲.追番就在【柏強(qiáng)影院】.
《沒(méi)有和解》劇情簡(jiǎn)介：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich B?ll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert F?hmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation F?hmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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