片名:《一不小心溜進(jìn)了母親的生命里》
類型:愛情片
上映時(shí)間:1972
上映地區(qū):其它
導(dǎo)演:翁貝托·倫齊
主演:卡羅爾·貝克,艾倫·斯科特
集數(shù): 更新至0集
語(yǔ)言:其它
愛情片《一不小心溜進(jìn)了母親的生命里》十分經(jīng)典,由【柏強(qiáng)影院】為您推薦分享.《一不小心溜進(jìn)了母親的生命里》上映于1972年,因?yàn)樯钍艽蠹覛g迎,評(píng)分高達(dá)7.0.《一不小心溜進(jìn)了母親的生命里》由著名導(dǎo)演翁貝托·倫齊指導(dǎo)拍攝,《一不小心溜進(jìn)了母親的生命里》場(chǎng)面宏大劇情生動(dòng),《一不小心溜進(jìn)了母親的生命里》的人物性格豐滿非常有趣,《一不小心溜進(jìn)了母親的生命里》的演員:卡羅爾·貝克,艾倫·斯科特表演到位,吸引了大批《一不小心溜進(jìn)了母親的生命里》的粉絲.追番就在【柏強(qiáng)影院】.
《一不小心溜進(jìn)了母親的生命里》劇情簡(jiǎn)介：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
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